Death in the Afternoon

2nd #cocktail of #FridayNightCocktails on 23rd December: Death in the Afternoon

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The second cocktail this #FridayNightCocktails is the Death in the Afternoon, also called the Hemingway Champagne/ or simply the Hemingway, is a cocktail made up of absinthe and Champagne, invented by Ernest Hemingway, the famed American novelist.

The cocktail shares a name with Hemingway’s 1932 book Death in the Afternoon, and the recipe was published in So Red the Nose, or Breath in the Afternoon, a 1935 cocktail book with contributions from famous authors. Hemingway’s original instructions were:

“Pour one jigger absinthe into a Champagne glass. Add iced Champagne until it attains the proper opalescent milkiness. Drink three to five of these slowly.”

It is claimed that the cocktail was invented by Hemingway after he spent time in the Left Bank, Paris, and enjoyed the absinthe there. The original printed recipe for the drink claimed that it was invented “by the author and three officers of H.M.S. Danae after having spent seven hours overboard trying to get Capt. Bra Saunders’ fishing boat off a bank where she had gone with us in a N.W. gale.” Death in the Afternoon is known for both its decadence and its high strength.

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Champagne Bowler

3rd #cocktail of #FridayNightCocktails on 16th December: Champagne Bowler

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3rd #cocktail of #FridayNightCocktails on 16th December: Champagne Bowler

Our third and final cocktail this evening is the 200th cocktail since we started.

The cocktail is the classic Champagne Bowler, a 1930s cocktail which uses both chardonnay white wine and champagne with cognac and fresh strawberries.

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Princess Mary

1st #cocktail of #FridayNightCocktails on 16th December: Princess Mary

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Our first cocktail is the Princess Mary, which was created by Scottish bartender Harry MacElhone to celebrate H.R.H. Princess Mary’s marriage to Lord Henry George Charles Lascelles in 1922.

We’ve opted for the original recipe, but Simon Difford has an updated recipe which uses an increased amount (45ml) of dry gin which may be better suited to modern palettes.

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